ラベル Collection の投稿を表示しています。 すべての投稿を表示
ラベル Collection の投稿を表示しています。 すべての投稿を表示

2011年10月12日水曜日

We Found a Fashion Critic Who Supports Kanye West’s Collection

Photo: Getty

Critics have mostly been vociferous and rather merciless in skewering Kanye West’s debut collection, though he has found support in the form of Anna dello Russo, who wore one of his dresses, and Carine Roitfeld, who has been fairly gentle with him. He can now add the Independent‘s Susannah Frankel to the short list of supporters.

Frankel argues that we should all give Kanye a chance. In her article she claims that if Kate Moss and Victoria Beckham have been given chances by the industry, then he should get the same consideration. As for his credentials? Sitting front row at shows for many years and doing collabs with Louis Vuitton and Hermés should be plenty of experience for launching your own RTW womenswear line.

She also sort of skewers Victoria Beckham, writing, “VB’s faux ‘I know I’m not really a designer but I’m learning’ humility, meanwhile, is an affront to the intelligence of all those whose job it is to comment on fashion.” (Kanye essentially said the same thing as VB, didn’t he? He just used the word “fuck” a lot more.) The difference is that Beckham’s collections have generally been well-received by critics since the beginning–everyone assumed she would fail, but she surprised everyone. She also started with a very small collection of dresses, shown in a quiet presentation format, and has grown from there, unlike Kanye, who pretty much announced that he was going to change the face of fashion.

The next point Frankel makes is that though his taste level was deemed questionable, so is Balmain’s. She thought the over-the-top presentation was entertaining, with shades of Tom Ford circa 1998.

We think the industry will give Kanye another chance. One more. If he doesn’t plan better and pull together a more cohesive and well-made collection, he’s going to be written off and relegated to doing Kardashian-style collaborations.


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2011年10月7日金曜日

Сhristian Dior Spring/Summer Collection 2012 at Paris Fashion Week

?hristian Dior Spring/Summer Collection 2012 showed that Dior’s show goes on without Galliano. The new ?hristian Dior ready-to-wear collection brought some fresh notes to the catwalk so that I’d rather took some of these fabulous chiffon dresses and put them on because of the unexpectedly hot weather.

Bill Gaytten saw spring/summer collection 2012 in pastel tone: caramel, beige with grey (rather freaky mix, I’ve never thoughts of it, but it works), palest blue.  The festive accent was made by carmine dresses and leather sleeveless jackets. They were just perfect! So effective they were on Karolina Kurkova, opening the show, Miranda Kerr and Karlie Kloss.

Dior’s woman of 50-s is always right and she knows what she wants. If you need a confirmation – read the ?hristian Dior Spring/Summer Collection 2012. Read it in the feminine organza full skirts and boat-necked blouses, in narrow leather belts around the collarless tweed coats, in charming and mystique Stephen Jones’s leather cloche hats. The trousers were specially shortened to show heels embellished with thin chains.

For the evening ?hristian Dior Spring/Summer Collection 2012 wear the fashion designer decided to choose the unmistakable collaboration of lace and chiffon in black-and-white palette. I have no word but gorgeous! I can bet that these transparent and at the same time full of elegance and Dior’s chic evening gowns would soon be spotted at the red carpet. Light as air, grey-blue, nude and black, those gowns fitted numerous layers of chiffon with sexy lace under them.  It could be sexier, but it already has been!

Light irony and flirt with which ?hristian Dior ready-to-wear tease you means you are surrendered and have chance to get out alive.

See the whole ?hristian Dior Spring/Summer Collection 2012 below.

Tags: Paris fashion week, Ready-to-Wear 2012, Spring/Summer 2012, ?hristian Dior, ?hristian Dior 2012




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2011年10月6日木曜日

Conair Illumina Collection Two-Sided Lighted Make-Up Mirror

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2011年10月5日水曜日

YSL Spring 2012: A Confident Collection Unshaken By Rumors

PARIS–Every fashion season a few things are guaranteed: a model will fall, Anna Dello Russo will change outfits approximately 647,329 times, and a rumor will circulate that Stefano Pilati is out at YSL. This season was no exception. After the IHT’s Suzy Menkes implied in an article that Jil Sander designer Raf Simons might someday be headed for YSL, Twitter and then the blogosphere (yep, that’s us) buzzed with news that Simons was taking Pilati’s place at YSL. YSL subsequently (this is old hat to them now) issued a statement disclaiming the the report.

Last night, Pilati presented his spring 2012 collection for YSL through several ornate salons at the lavish Hôtel Salomon de Rothschild. It was a strong, confident, collection–firmly grounded in YSL’s DNA, particularly in the jewel-toned color palette–and one that didn’t hint at a designer shaken by rumors, or worse, on his way out. These were clothes for a lady of means, one who is maybe a little bored with her fancy life and who might be nasty to her waiter. She keeps her hair in a tight, low bun, cradled by a gold clip, and never lets her hair down. Her clothes are structured, especially in the shoulders, and voluminous; her pants are unforgivingly straight and skinny; and her skirts are stiff and flared, except, of course, when they’re to the floor, paisley printed, and paired with a simple white blouse.

But the thing that everyone was gushing about immediately following the show was the shoes. And with good reason because they were awesome. Especially the courtly heeled loafers with oversized golden buckles and the mint-colored platforms with golden caps on the toes. Expect to see them on every editor, and perhaps attendee Alexa Chung (the loafers for sure), come spring.

**All images: Imaxtree


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E.l.f. Summer Ready, Lip and Eye Palette 48-Shades Warm Collection

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2011年9月24日土曜日

Peep the Full Muppets X Opening Ceremony Collection Featuring Hipster Versions of Kermit, Miss Piggy and More

The highly-anticipated (we think?) Muppets X Opening Ceremony collection is now available at Opening Ceremony stores and online. There are no faux fur coats or feather boas and the collection is actually quite simple and casual, which we like. It’s also pretty affordable, which we like even more. It’s comprised of an assortment of tees, sweatshirts, button-downs and sweaters featuring your favorite Muppets like you’ve never seen them before. Kermit, Miss Piggy, Animal, Fozzie and Gonzo are all credited as wearing Opening Ceremony FW 11. It’s kind of amazing.

Here’s a little more on how the collaboration came about, from Opening Ceremony:

So how did the collection come together? Well Miss Piggy demanded glamour, Animal had to include his sticks, Kermit nodded a lot, Fozzie got the giggles and well, Beaker just panicked. As Kermie says in the new MOVIE TRAILER, “The Muppets have always been about artistic integrity.”

If the goal of the collaboration was to make the Muppets’ image a little bit hipper, this should have done the trick. Click through to see the full collection.

**Images via Opening Ceremony


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NYX Cosmetics The Runway Collection 10 Color Eyeshadow Palette ESP10C10 Bohemian Rhapsody

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Alexa Chung Tells Us How To Dress Like Her (‘Wear Stupid Shoes!’) and Elle Fanning and Kate Bosworth Gush Over Her New Collection for Madewell

Photo: WireImage

LOS ANGELES–When it comes to personal style, there’s no better embodiment of a brazen fashionista than Alexa Chung; and it’s no wonder that Madewell tapped her for a second collaborative collection (sales of her debut collection went through the roof) this fall. InStyle hosted a celebratory soiree in her honor last night, the eve before the collection hits stores, at the Chateau Marmont and packed the house with a stylish set including Amanda Seyfried, Diana Agron, Abbie Cornish, Jena Malone, Zelda Williams and more.

A pop-up shop displaying the entire line occupied guests for hours, while we made the rounds to see just what it is about Chung’s style that’s so decidedly addictive.

“She’s my favorite kind of sexy,” said Kate Bosworth, hot off her European run as the face of Vanessa Bruno. “I think Alexa is so chic and unique and playful. That tomboyish femininity…like she’s not trying too hard. You can tell she’s sharp, totally a smart girl.”

Clad in a prim ivory lace dress from the collection, Elle Fanning excitedly fawned over the fashion before embracing Alexa in a sweet hug to congratulate her. “Everything is so cute! I love Madewell and I love Alexa…having them together is like heaven!” enthused the young actress, who first met Chung at the Met Ball months ago. “She’s really, really fun. I love how she sort of wears baby doll dresses but still has the tomboy thing going on. It suits her so well.”

So what did the girl of the hour have to say about all of the fashion flattery? “Yeah, it’s true. I like to kick against the mainstream. When people hate what I’m wearing, or just don’t get it, it’s like validation that I’ve got it right. It’s like cool, I didn’t want you to anyway!” the style icon laughed. As for the collaboration, she elaborated, “It’s like a dream world to work with Madewell because we have the same vibe, we appreciate the same visual aesthetic. I’m very happy with everything, but the leopard print boots are my favorite because they came out exactly as I drew them. They were missing in my closet. I dreamt them up and now they’re on my feet!”

And after all that, we had to ask, what are the tenets to dressing like Alexa Chung? Without missing a beat, she outlined the following: “Have fun. Don’t take anything too seriously. Try a bit of irony now and again. Don’t wear anything too tight. Borrow things from your brother, boyfriend or father’s wardrobe. And wear stupid shoes!”


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2011年9月23日金曜日

SEPHORA COLLECTION Buildable Cover Complexion Kit - Medium ($78 Value) Buildable Cover Complexion Kit - Medium

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NY Fashion Week: Anna Sui Spring RTW 2012 Collection

The atmosphere of glow was everlasting throughout Anna Sui Spring 2012 Collection at New York Fashion Week. No matter what everyone else had thought about her creations, it was something she’d wanted to do for ages.

NY Fashion Week: Anna Sui Spring RTW 2012 Collection

Anna Sui 2012 Collection was like reinvention of one remarkable and transformative stage in fashion history: the early 70s when illustrator Antonio Lopez moved from Paris to NYC with a number of gorgeous young things, among them a 16-year-old Jerry Hall, Donna Jordan, baby Grace Jones, Jane Forth and others. Their suitcases were full of vintage clothes along with irresistible taste in dance and club music. They openly attracted attention of many Parisians, among them Yves Saint Laurent and Karl Lagerfeld. It was the time when impressionable Anna Sui saw the new arrivals, and during her Spring  ready-to-wear 2012 Collection she tried to evoke this club atmosphere.

From the very second when Karen Elson appeared on the catwalk with the torrent of curls, richly lacquered lips, and in a great forties-style dress wrapped in chubby marabou, the audience was transported into atmosphere of playful, flippant era when the search of pleasure could become a career opportunity for youngsters like Hall.

Anna Sui also offered a playsuit with a toothbrush print of Art Deco style and a cap-sleeve, flared-pant outfit in a Liberty-like print. Then, the attention was on Sui’s black tulle kimono floating over silken shorts, which was appropriate for 40 years ago Paris glamorous kids. And those retro looks together with modern woman’s search for fantasy in style brought Anna Sui her success.

Anna-Sui-Spring-RTW-2012

As she said, she wasn’t trying to fit in what was going on, she’d just done, what she wanted.

Tags: Anna Sui, Anna Sui 2012 Collection, Anna Sui Spring RTW, New York fashion week




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2011年9月17日土曜日

Shany Deluxe Traveling Makeup Kit, 2010 Collection, 44 Pieces, 11 Ounce

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2011年9月16日金曜日

Shany Professional Eyeshadow Pallette, Runway Collection, 192 Colors

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Michael Kors Spring 2012: ‘Afriluxe’ (An Icky Word for a Not Icky Collection)

Michael Kors went on safari for spring. He called his collection “Afriluxe” which made me cringe a little since much of Africa is decidedly not luxurious. Beautiful, yes, but luxurious? No. The parts that are luxurious are more often than not available only to rich tourists and a very small sliver of the population. Kors said in his line sheets he was inspired by the “rustic modernism of the Lebombo Lodge,” which the Times‘ Eric Wilson notes is $1,500 per night, per person.

Wilson also said the collection looked like “hillbillies on safari.” Ouch. I wouldn’t go that far. While the line sheets might have read a bit cringe-y the collection did not. In stark contrast to the bright grass greens and hot pinks of last year’s collection, this one was done in earth tones with the occasional bursts of sunset hues and set to a version of Adele’s “Rolling in the Deep” mixed with drumming.

There were caftans and blanket skirts and many variations on an adorable structured trench, one version done in python. A safari collection wouldn’t be complete without animal prints and the big five were well represented on little sheath dresses, sexy cut-out maillots, and caftans. But the pieces I liked best were the hand-dyed tops and flow-y bias dresses in olive and amber. Makes me want to go on vacation…like now.

The only “hillbilly” aspect? Distressed cashmere. I get that it was supposed to be raw and rugged in keeping with the safari theme, but why would anyone want to buy full price cashmere with holes in it? Still, I’m a Kors fan through and through, so I’ll overlook the hole-y cashmere and dream of those hand-dyed maxis.

**All photos via Imaxtree


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2011年9月15日木曜日

Rachel Zoe Spring 2012: The Stylist-Turned-Designer on Her Brigitte Bardot-Inspired Collection

Rachel Zoe presented her second collection for her eponymous line today at at the Starworks showroom in midtown Manhattan. It was a hot-ticket show with a line snaking around 39th St. onto Broadway. And, ever the perfectionist, Zoe delivered. The showroom was abuzz (and aTwitter) with praise for Zoe, and before we got a chance to talk to her, stylist Mary Alice Stephensen gushed that she “LOVED IT” three times.

The collection of effortlessly sexy summery separates was inspired by “Brigitte Bardot in the south of France in the late ’60s early ’70s” Zoe told us. “It’s when she was running around being glamorous without ever trying to be glamorous.” Which is quite a thing to aspire to. But Zoe’s collection might just get you there.

Check out a few more snaps I took of the presentation. We’ll post the full gallery, review, and the deets on what Skyler Morrison Berman was wearing, later.


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Jen Kao Spring 2012: Dangerously Beautiful Flora (and She Tells Us Why Leo DiCaprio Inspired the Collection)

In a departure from last year’s outer galaxy runway show, Jen Kao was firmly on planet earth–more specifically, Hawaii–for her spring 2012 collection. It was nice to see the esoteric designer lightening up a little bit, too. Well, sort of.

While the visual references to her show were obvious allusions to the sunny flora and fauna of the islands, there was a deeply tragic lost love undercurrent to the collection, too. Set to a backdrop of a hazy sherbet-hued beachfront sunrise, a paper art fascinator-wearing model opened with a sun-ray orb projected onto her chest, which then grew to full-blown daylight in the room. Cue the gasps from the audience.

The color palette of the collection was based on sunrise pastels: lush pinks, soft blues, cheerful yellows, and calming creams. The details were abundant: ornate embroidered lei flowers, Hawaiian shirt-patterned flouncy skirts and flowing dresses, sky-like ombre prints, fine checkerboard knits and Japanese-Hawaiian references, like obi belts and kimono silhouettes. There were editorial-friendly piled-on looks with lots of lacy, fringe-y, flowery layers, but there were definitely pieces that could find their way into our closets.

The models all wore side knots with untucked ends and Jen Kao-designed mismatched poison flower inspired earrings, with ethnic print drawstring rucksacks. The shoes were a casual streetwear mix of cork soled wedges, high-tops and beachy sandals. Oh, did we mention the arty cut paper and origami-reminiscent fascinators, cuffs, belts and capes peppered throughout the show?

After the show, we spoke to the designer backstage. Here’s what she had to say about her show notes, Asian models, and Leonardo DiCaprio as inspiration:

Fashionista: Each season, we really look forward to your extensive show notes. Do you write them yourself?
Yes, I write them all myself. They’re actually really important to me. I know some people might think it’s a long drawn out story, but I like every collection to be personal and emotional and it comes really from me.

The notes are really beautiful, but could you maybe give us a CliffsNote version and talk about your personal inspiration for the collection?
There are so many inspirations in this collection, but it really started out when I was having a conversation with a friend about lucid dreams. It’s something that I used to experience every day when I was younger.

The last line of your show notes reads, “And finally, credit to Leonardo DiCaprio as Romeo Montague, and to Tank Girl” (there are tops in the collection named “Chasing Leo”). You have to tell us what that means.
(Laughs) Those also came six months ago, too. I don’t know…I had this vision of Leo in his Hawaiian shirt and the beater and I love that idea of something so kitschy and someone being able to make it look really cool and chic. And Tank Girl is the same thing, so those were the two styling inspirations for me.

What was your thought process in the model casting ?
I wanted to pick girls that weren’t obvious. So I tried to cast girls that are grown. They’re women that know their body and they’ve been through life a little bit.

Speaking of models, we’re seeing more Asian faces in the ads and on the runway lately. As an Asian American designer, do you think this is more of a trend or an actual watershed moment for Asians in fashion?
I think yes and no. I do believe the model “trend”…some people are over-blowing it and thinking “cast an entire show this way” and whatnot, but I think maybe designer-wise, Asians are just coming into their time.

Today is a very momentous and emotional day for the country. What is your feeling on the importance of showing today?
Every time I tell someone that my show is on September 11, they always have this “oh….” sort of reaction to it, but I think it’s a great thing to have a positive moment on a memorial like this. I was excited actually.

**All photos via Imaxtree


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