ラベル prints の投稿を表示しています。 すべての投稿を表示
ラベル prints の投稿を表示しています。 すべての投稿を表示

2011年9月16日金曜日

Karen Walker Spring 2012: Prints, Peplums and Poise

Karen Walker has softened back up since last season’s Northern England working class-inspired collection, but there was still a borrowed from the boys/working girl vibe to this season, albeit a cuter, quirkier one who does not shy away from prints.

This collection was all about florals–tropical and ’60s flower child-esque daisies—and oversized picnic plaids and stripes. Although Walker was apparently inspired by the 1976 film Taxi Driver, many of the dresses and blouses had 1940s feel. There were peplums and buttoned-up collars. They were wearable and very chic–but not too chic. The silhouettes were loose, the prints off-beat and the hair a little bit messy. Still, they were a bit more ladylike than is typical of Walker, at least that’s how it started.

As the show went on, the menswear-inspired suiting came out (I especially loved the polka dots mixed with stripes seen above), as did more casual options like sundresses, super thin cardigans, shorts and loose-fitting cropped trousers. Then came fun accessories like mini purse necklaces (so cute), floral baseball caps and Walker’s big moneymaker: sunglasses. They were huge, round, sometimes transparent, and all one color, from black to bright pink to neon yellow. In fact, they almost looked like goggles.

While Walker’s signature quirk and off-beat charm was definitely there, so were more refined, formal options than we’re used to and it made for a well-rounded collection with lots of things I wanted. Click through for all the looks!

**All photos: Imaxtree


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2011年9月10日土曜日

Rachel Comey Spring 2012: Punny Prints

Rachel Comey easily holds onto her title as the Brooklyn girl’s most coveted designer with her spring 2012 collection. And she earned her hipster cred by using a super loud and drum-heavy indie band called IUD (yes, just like the birth control) as music (Comey said she wanted her girls to feel strong). The music was so loud, in fact, that one of the two babies in attendance had to be taken out of the show, and show goers were given earplugs, which I used (I’m not afraid).

While the music was hard the clothes were not. Separates were classic Comey–soft yet boxy, cropped tops and tunics over loose pants–and the prints and textures stood out. There were nubby knits in a sand colored palate and clever optical illusion prints of winter staples like tartan and cable knit stamped on sheer silk tunics and dresses. Neoprene bags were made to look like basket weave.

This season Comey said her girl was feeling “introspective.” “She can be her most creative self,” Comey said, “and just hide in her hat [straw buckets] and behind her sunglasses.”

I loved the printed toga draped dresses and the one-piece suits. And duh, all the shoes. Bird’s Jen Mankins said she was digging the sand-washed nubby knits, swing blazers, swimwear, the pops of sea green and the flat sandals.

**All images: Imaxtree.


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